Wednesday 21 December 2011

Review: Films part 3: Good

Part three of my round up of the year. Parts one and two can be found here and here.




I've seen a bunch of good films this year. Here they are. They're not the all conquering kings of the landscape, but they were all very entertaining, and if you bought them for me on BluRay, I would not have to feign gratitude.

The Adjustment Bureau

Matt Damon's life is being manipulated! By men with hats! And there's a girl he fancies. But has that been manipulated too?

A snappy, clever film with a great lead performance from Damon, who is slowly proving himself to be one of the most capable and interesting stars of his generation. The central conceit, which lives somewhere between conspiracy thriller and pure sci-fi, is confident enough to never feel the need to explain itself. It's basically an exciting romp with some great ideas behind it, and plenty of neat visual moments. And some ace hats.




Captain America

Remember when you came out from seeing Indiana Jones and the Kingdom of the Crystal Skull? Remember how angry you were? All the action-adventure of the original Jones films reduced to CGI nonsense and lame plotting and some monkeys? Well, Captain America is here to make things better. This is an unapologetically straightforward romp through a universe both cartoonish and believable. It's the same world Dr. Jones used to inhabit - authentically grimy and real, with characters who live and breathe, yet populated by fantastic and implausible events that swing just around the edge of "Oh come on!" before landing gracefully on the side of "Yeah! Go on then!"

If you've seen the trailer you've seen the plot: weedy wannabe soldier gets genetically enhanced to go fight the bad guys. Explosions ensue. There are some terrific set pieces, well choreographed and with a smart visual eye: bombs destined for the USA's major cities have the names of said cities printed on them in huge, Wile E Coyote print, while Hugo Weaving's villain, the Red Skull, feels like a real guy, albeit one you would vomit on.






Harry Potter and The Deathly Hallows Part Two

Last Christmas I was bought the Harry Potter books and I read them all for the first time. I was surprised how good they were, and found myself most absorbed, often forgetting to eat, bathe or, in extreme cases, go to the shops for more alcohol and porn. Thus, when I emerged from the final book, bearded and semi-feral, I was more than ready for the cinematic release of HP7.2. This time I had an advantage that had eluded me during the other instalments: I knew what on earth was going on.

I'm sure the various screenwriters and directors did their best to condense the massive amounts of story in the books into commercial films, and given the limitations of the form, I think they did pretty well. But it must be said, watching some of the films without the benefit of reading the source material did often leave me going, "What? Who? What? Whyyyyyy?" The culmination of this came at the end of The Half Blood Prince when Hans Gruber from Die Hard swoops his cloak around him and reveals that yes, he is the eponymous Prince! And everyone just sort of looks at him, and he looks at them, and it's all a bit uncomfortable, and then everyone walks off to have their tea. And I sat in my seat going, "Whuuurrrrr...?"

Anyway, I knew what was going on this time, and it was very good, and the battles were quite thrilling. I still haven't got a clue, though, what all that business with the wands is about, at the end. You know, when Harry fights the evil nazi from Schindler's List and somehow their wands do a thing, and that means everything explodes in a way that pleases the heroes, and annoys Ralph Fiennes. I've re-read that bit in the book lots of times, and had people try to explain it to me, and there's even a bit in the film where Ron and Hermione go to Harry and say "So what was all that stuff with the wands?" because they don't understand either, and Harry tries to explain. But I still don't really get it.

Liked the film though.




Tree of Life

This was very beautiful, and dreamy, and had dinosaurs in it. It was probably too long, and I was very hungry by the end, but I felt like I was having an experience, even though I'm not entirely sure what it was.




Super 8

A deliberate attempt to recreate ealry 80s Spielbergian wonder, which, for the most part succeeds. Good performances from the kids and a palpable sense of time and place make this a beautiful two hours. In fact, it may deserve a higher place than I'm giving it, but two things stop it being perfect:

a) While not wanting to spoil the ending, it does seem to me that if none of the main characters had done any of the things they did, and had instead just sat and played Connect Four, then the plot would have worked out almost exactly the same as it did when they ran around screaming and having adventures.

b) There were two annoying bastards down at the front of the cinema wittering away and playing on ther phones through the first twenty minutes or so. I kept hoping they would stop, but they didn't, and I became near homicidal with irritation. Ultimately I was consumed with anger and stormed down to the front to be all Yorkshire and cross on them. To my pleasure, they did as I asked and shut the fuck up. However, I was by this point unable to regain my child like sense of wonder.






There are more, but I feel I have gone on somewhat, so here, briefly, are the other films I enjoyed quite a bit:

Limitless

Special pill makes man brilliant at everything. Man is, however, still a man, so does his best to cock things up. Starring the ghost of Robert DeNiro's charm.



Inbetweeners

Young men in 21st Century Britain go on holiday and say 'clunge' a lot, as funny TV show charges onto cinema screen and defies expectations by being just as good. For my thoughts on it, see this post.



Made in Dagenham

Girls in 1960s Britain are told they are rubbish. Girls swear a lot, and win the right to be Prime Minister and host daytime TV chat shows.



Another Year

Old people in 21st Century Britain have tea and uncomfortable conversations for a whole year.



NEDS

Young man in 1970s Britain become thuggish due to a) social pressure and b) him being a bit of a cock. Then gets less thuggish. Then gets more thuggish again. Then has a fight with Jesus. Then is nearly eaten by lions. Possibly.



Attack the Block

Young people in 21st Century Britain fight aliens, in the 'hood.




See you next time for the best films of the year. Bring snacks.

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